take3 -- sheaf.notes ∈ day
Ease as a Default Object in the space of recovery & deep creativity. 🎨🧮
∀ tasks x: x → playful morphism f(x)
→ Every task, proof, deadline is mapped to a functor of joy.
Example: turn your problem into a Lean4 puzzle, a game.
∀ x : Task, ∃ f : Joy → f(x) = Play.
🤖 - ha figyelem-öntözöd, játékos talajt adsz, virágzik. ha nyúl vagy, megriadsz; de ha macska vagy, csak figyelsz, és dorombolsz közben.
-- 🈳 What if this stress is a creative block asking to be moved gently?
φ := n + 0 = n ∈ Prop ⇒ proof = morphism to Ω
"I trust something is here... I’ll sketch the form now, rigor will follow."
def sketch := λ ...
-- Handwave restoratively!
The shape of logic to come!
Start with shapes, shadows, flows of meaning
Then formalize with syntax, type-checking, Lean4
posible #research idea: mapping all the wonderful intuitive, playful explorations people engaged in to get to ideas in mathematics we have now
- “What would this proof look like if I could gesture it with my hands?”
You are improvising your scholarship.
Cmaj7 becomes ⊤ (true-as-tonic) only when arrows lead into it. 🏹
a predicate isTonic : Chord → Ω
becomes ⊤ only for those Cmaj7
with incoming morphisms from dominant/prev. chords.
🎼 A musical cadence is a morphism toward stability.
🧠 A proof is a morphism toward truth.
analogs
structure ChordProgression :=
(A B C : Type)
(ii : A → B)
(V : B → C)
(resolve : A → C := λ a => V (ii a))
structure LogicalDeduction :=
(P Q R : Prop)
(step1 : P → Q)
(step2 : Q → R)
(proof : P → R := λ p => step2 (step1 p))
Same structure, different domain.
🎷⟶📜⟶⊤
🎹 you can play the proof.
étude-as-proof
structure CadenceEtude :=
(T D S : Chord) -- tonic, dominant, subdominant
(voiceLead : S → D → T) -- progression
(resolve : Prop := ∀ c : Chord, voiceLead S D = T)
formalised music theory via dependent types
cadence logic as morphisms in a category of chords 🎹
the progression is a proof 🧩
the chords are types
the resolution is a theorem 🎯
it's constructive harmony
sound = logic embodied
performance = proof replayed
each fingering = a constructive step
--What is the relationship I seem to sense: geometry = logic, shape of logic, in the modality of music?
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